摘要

作为意象派诗歌的领军人物，庞德的杰出贡献之一是将中国古典诗歌的创作技巧引入了英语诗歌的创作。这极大地改变了西方以欧洲中心主义为特点的学术研究传统，也为东方主义的兴起做了铺垫。也是因为这样，中国的评论界长期以来对中国古典诗歌和意象派诗歌的异同点颇为关注。本文将继续以上两者的讨论，希望能从新的角度分析其异同，同时也希望通过观察意象派诗歌发展的历史，为21世纪中国当下诗歌发展提供有限的建议。作为各自流派意象使用代表作品，庞德的《在地铁站》和马致远的《天净沙·秋思》将作为主要比较对象，将这两首诗在意象使用，构图，音乐，哲学，社会，时代背景等方面进行对比。本文将利用跨学科的理论知识，采用对比研究的研究方法。

关键词：对比研究  意象派  中国古典诗歌  庞德

Contents

Abstract I

摘  要 II

Chapter One  Introduction 1

1.1 Purpose of the Thesis 1

1.2 Structure of the Thesis 1

1.3 Research Method of the Thesis 2

Chapter Two  Literature Review 3

2.1 Previous Studies on Imagism Poetry 3

2.2 Previous Studies on the Characteristics of Ancient Chinese Poetry 4

2.3 Previous Studies on Pound’s Poetry 5

2.4 Expansion — Modernism in Chinese Poetry 6

Chapter Three  Theoretical Framework 8

3.1 The Theory of Imagism 8

3.2 The Theory of Ancient Chinese Philosophy — Chuang Tzu and His Taoism 9

3.3 Poetry Analysis Theory by Gu Zhengkun 13

Chapter Four  Differences in Images and Philosophies behind the Two Poems 14

4.1 Analyzing the Use of Image in “In a Station of the Metro” 14

4.2 Analyzing the Use of Image in “Tune to The Sand and Sky Autumn thoughts — Trio” 15

4.3 Analyzing the Differences between the Two Poems 17

Chapter Five  Conclusion 22

5.1 Major Findings about the Differences in the Use of Image between Imagism poetry and Ancient Chinese Poetry 22

5.2 Limitations and Suggestions for Further Studies 22

Bibliography 23

Acknowledgements 24