Imitation and Intertextuality Theory in Poetry Translation: A Case Study of Rubaiyat Translated by Kerson Huang_英语论文

摘要

《鲁拜集》是由十二世纪波斯诗人奥玛·海亚姆创作的四行诗集，其优美的诗句中蕴含着惊世骇俗的思想。自英国诗人、翻译学家爱华德·菲兹杰拉德将其译成英文后，名声大振，已成为英国文学的瑰宝。其汉译版本在许多大家的诠释下精彩纷呈，其中备受推崇的是黄克孙的译本。本文以《鲁拜集》黄克孙译本为例，阐明互文性理论下衍译对于诗歌唯美性的塑造，并论证了衍译在诗歌翻译中的重要地位和作用。 

关键词：《鲁拜集》；诗歌翻译;互文性;衍译

Contents

1. Introduction 1

2. Translation Works of Rubaiyat 3

2.1 English Version of Rubaiyat by Edward FitzGerald 3

2.2 Kerson Huang and His Chinese Version of Rubaiyat 5

3. Imitation and Intertextuality Theory in Poetry Translation 6

3.1 The Definition of Imitation 6

3.2 The Relation between Intertextuality Theory and Imitation 7

3.3 Study of Imitation in Rubaiyat Translated by Kerson Huang 9

3.4 The Significance of the Use of Imitation in Poetry Translation 15    

4. Conclusion 17

References 19