摘要 

《到灯塔去》是弗吉尼亚伍尔夫意识流作品的巅峰之作，在理论探索和形式创新上这部小说都达到了较高的艺术水平。伍尔夫处在现实主义和后现代主义的过渡期，这部作品体现出鲜明的后现代叙事策略的特点。作者消亡和非逻辑性碎片化叙事是后现代叙事策略的主要特点，打破了以往传统的叙事框架。论文从作者消亡和非逻辑性碎片化叙事两个层面出发，分析书中所运用的手法技巧，通过具体的叙述和情节分析这些手法是如何体现后现代叙事策略特点的。后现代叙事策略特点的体现以及诸如自由联想这类手法的运用使得这部作品别具一格。总而言之，从后现代叙事策略的角度出发对《到灯塔去》进行分析不仅会有助于读者理解全书理解后现代叙事策略，而且还能对伍尔夫在文学上的贡献有更深刻的把握。

关键词：《到灯塔去》；作者消亡；碎片化；后现代叙事策略

Contents

摘要 i

Abstract ii

Chapter One Introduction 1

Chapter Two Introduction Of Postmodern Narrative Strategies 3

2.1 Development of postmodernism 3

2.2 Evolvement of postmodern narrative strategies 4

2.3 Postmodern narrative strategies in To the Lighthouse 5

Chapter Three The Death of Writer’s Role 6

3.1 Free indirect speech 6

3.1.1 The definition and features 6

3.1.2 Discourse of Mrs Ramsay and Cam 6

3.2 Multiple third person internal focalization 7

3.2.1 The definition and features 7

3.2.2 Minta’s event from three characters’ perspectives 8

Chapter Four Illogical and Fragmental Narrative 10

4.1 Illogical narration of free association 10

4.1.1 The definition and features 10

4.1.2 Illogical narration centering on Mrs Ramsay and McNab 10

4.2 Fragmentation narration of unstable images 12

4.2.1 The definition and features 12

4.2.2 Lily’ s painting and the light 12

Chapter Five Conclusion 15

REFERENCES 16

ACKNOWLEDGEMENTS 18