暴力美学电影中的人性-以《喋血双雄》和《被解救的姜戈》为例_英语论文

Humanity in Violence Aesthetics Films: The Killer and Django Unchained

摘要

暴力美学作为一种新兴的电影创作手法，在电影界被广泛应用。它弱化了暴力场面的血腥和残忍程度，使其具有诗意和美感。暴力美学不仅仅是暴力，它运用暴力来推动剧情的发展，观众由此得到心理满足，同时还释放了压力。为更好的理解暴力美学，本文首先介绍了暴力美学的定义和暴力美学电影的发展历史，接着以中西方各具代表性的导演吴宇森和昆汀的经典暴力美学电影作品为研究对象，分析研究暴力美学电影中的人性，揭示了暴力与人性的关系，得出暴力是人性的一部分且暴力有利于人性的解放，肯定暴力电影的存在意义与价值。关注暴力电影中的人性对电影艺术的发展和社会安定都有重要的意义。

关键词  暴力美学电影  《喋血双雄》 《被解放的姜戈》 人性

Abstract

As a new way of film creation, violence aesthetics has been widely employed in the film industry. It has made the violent scenes less bloody and less cruel, adding some poetic and aesthetic elements. Violence aesthetics is more than violence. It uses violence to promote the development of the plot and the audience can get psychic gratification from violence aesthetics films, and at the same time release their pressure. This paper firstly introduces the definition of violence aesthetics and the development of violence aesthetics films, and then specifically chooses classic works of two representative directors John Woo and Quentin Tarantino as research object, so as to analyze humanity in violence aesthetics films and reveal the relationship between violence and humanity—that violence is part of humanity and it helps to release humanity. Attention to the humanity in violent films has great importance to the development of the film art and social stability.  

Keywords    violence aesthetics films  The Killer  Django Unchained  humanity  

Contents

1 Introduction 1

2 Violence Aesthetics Films 2

2.1  Definition of Violence Aesthetics 2

2.2  Development of Violence Aesthetics Films 4

3 The Killer vs. Django Unchained 6

3.1  The Violence Aesthetics Represented by John Woo 6

3.2  The Violence Aesthetics Represented by Quentin Tarantino 7

3.3  Differences between Them 8

4   Significance of Violence Aesthetics Films 10

4.1  Reflection of Humanity 10

4.2  Outlet for Inner Violence 11

Conclusion 14

Acknowledgements 16

References 17