摘要

《末路狂花》作为一部成功的女性主义电影，不仅获得了票房的成功，同时其艺术价值也被广泛认可。一方面，《末路狂花》中蕴含的女性主义思想引人深思，另一方面，电影《末路狂花》是公路电影多样性的开端。在此之后，公路电影中旅途同伴的组合变得多种多样，出现了同性恋伴侣、艾滋病患者、残疾人等组合。
本论文总结了女性主义的理论的发展历程以及不同时期主要代表人物的代表思想。在此视角下，本论文对电影《末路狂花》中主要人物之一塞尔玛的性格进行分析，从女性主义视角解析其如何从一名涉世未深的家庭妇女转变为一名老练的持枪抢劫犯，以及其性格转变如何揭露了男权社会中的两性关系问题。
目前，国内外对于公路电影研究体系尚未健全。本论文对公路电影的发展史进行了系统的分析和总结，探讨《末路狂花》在公路电影中的地位以及对后续电影的影响。因此，本论文不仅补充了当前公路电影研究并且为后续公路电影的研究提供了理论依据。

关键词：《末路狂花》、塞尔玛、女性主义、公路电影、男权社会

Abstract

The film Thelma&Louise, as a successful female doctrine movie, not only succeeded at the box office, but more importantly, its artistic value has been highly appreciated after its 1992 release. On the one hand, the idea of feminism implicated in the film is thought-provoking, and on the other hand, different type of travel partners appeared in road movies, such as gay and AIDS patients, minorities, mentally disabled patients. The journeys of those people not only provided the audience with a fresh eye to look at the world but also enriched the diversity of road movies.
This thesis not only summarizes the development of feminism but also analyzes the main ideas of feminists in different historical periods. This thesis analyzes the character of Thelma in the film Thelma&Louise from the perspective of feminism to discuss her transition from an inexperienced housewife to a seasoned gun robber. And this tremendous change reveals the gender relationship in the male-dominated society.
So far, the study on road movies from both home and abroad is incomplete as well as superficial. This thesis analyzes the history as well as development of road movies and reveals the significance and influence of Thelma&Louise. As a result, this thesis will be a supplement to the existing theoretical system of road movies and be able to provide some reference for the study on road movies later.

Key words: Thelma&Louise, Thelma, feminism, road movies, male-dominated society