Abstract:
Virginia Woolf is one of the most famous modernistic British writers coming into Chinese scholars’ notice. As one of the prominent representatives of modernists, Virginia Woolf has long been at the center of literary criticism. Critics have studied Woolf and her works from the perspective of feminism, modernism or psychoanalysis, and many scholars have studied her writing techniques. Among all the studies, the study of dualities in Woolf’s works has always drawn the attention of critics. Published in 1925, Mrs. Dalloway clearly showed some binary opposition from various perspectives, such as external self and internal self, sanity and insanity, life and death, male and female etc. At the same time, the novel is of profound ideas in characterization and the meaning of life. Therefore, in terms of these two elements above, this thesis will research into Clarissa’s dual-characters based on the theory of dualistic co-existence. The thesis discussing Clarissa’s dual-characters consists of four major parts. The introduction briefly presents Virginia Woolf’s particular life experience, sketching a general summary of Mrs. Dalloway and the interpretive history of it, and then puts forward the argument of the thesis. Chapter one involves the manifestation of Clarissa’s dual-characters, falling into two sections: one deals with “Self-Contradictory Ego” and the other focuses on “Androgyny and Feminism”. In particular, the part of “Androgyny” will expand into three topics, that is, sense and insanity, life and death, male and female. In the third chapter, it attempts to probe into the causes of the formation of Clarissa’s dual-characters, namely external causes and internal causes. When illustrating the internal causes, the paper will try to find out and expound its formative causes respectively from Clarissa’s personal perspective and the angle of the author. The conclusion summarizes the heroine Clarissa’s dual-characters and points out the significance of this research.

Key words: Virginia Woolf; Clarissa Dalloway; dual-characters; duality

摘 要：
弗吉尼亚•伍尔夫是较早引起国内文坛学者注意的英国现代主义作家之一。作为现代主义的杰出代表，弗吉尼亚•伍尔夫一直处于文学评论的中心。许多批评家曾经从女性主义、现代主义，或者精神分析的角度研究她的作品，还有一些研究她的写作技巧。在所有对伍尔夫作品的研究中，二元对立的研究也一直吸引着评论界的关注。发表于1925年的《达洛卫夫人》对二元对立做出了清晰地阐释，并且在对外在自我和内在内我、理智和疯狂、生命和死亡以及男性和女性这些二元对立项作出了深入的探索。与此同时，该小说在人物塑造方面和生活意义思考方面提出了自己深刻的观点。因此，结合以上两个因素，本文将基于二元共存的理论剖析研究《达洛卫夫人》中女主人公克拉丽莎•达洛卫的双重性格。本文分为五个部分。引言部分简要介绍作弗吉尼亚•伍尔夫的传奇一生，综述对《达洛卫夫人》的故事梗概以及收集整理了近年来学者们对其所作的研究与批评，并提出文章论点。第一章节描述克拉丽莎双重人格的多个表现；第二章节剖析克拉丽莎双重人格生成的原因。具体来说，第一章节又分为两个小节，第一小节为“矛盾对峙的两个自我”的表现；第二小节作为第一小节的升华，讨论的三个副标题分别是“理性与疯狂”、“生与死”以及“男性与女性”。在第二大章节中分析原因时，原因分为内因和外因。其中，在内因部分，论文将从人物自身的角度和作者伍尔夫的个人角度全面分析。结论部分总结了全文，并指出了进行这一研究的意义。

关键词：弗吉尼亚•伍尔夫；克拉丽莎•达洛卫；双重人格；二元对立