Abstract

A Doll’s House is Ibsen’s classic work. It has been called “the declaration of women’s liberation movement”. Lu Xun, whereas, went further for the question in Ibsen’s A Doll’s House. He revealed Chinese Nora’s runaway and miserable fate, and also implied that it was suffering and difficult to break the puppets of fate. Based on feminism theory, this thesis compares two bold and independent female protagonists, Nora and Zijun, and finds the similarities: the awakening of women’s individual consciousness and the rebellion against patriarchal society. In the meanwhile, this thesis explores the fundamental difference: A Doll’s House reflects the initial awakening of female consciousness, while Lu Xun in Shangshi points out the correct way of the realization of women’s liberation. It also reveals the practical significance that women can achieve true liberation only by economic right.

Key words: A Doll’s House; Shangshi; women’s liberation; economic right
 
摘要

《玩偶之家》是易卜生的经典作品，被称为“妇女解放运动的宣言书”。鲁迅在《伤逝》中揭示了“中国娜拉”出走后的悲惨命运, 暗示女性挣脱玩偶的命运之路是艰苦卓绝的。本文主要以女性主义理论为基础，对娜拉和子君两位勇敢独立的女性形象进行比较分析，找到了相似之处，即女性自我意识的觉醒以及与父权社会的对抗，同时也发现二者的根本差别：前者反映了妇女个性意识的初步觉醒，而后者却指出了一条获得女性解放的正确道路，即取得经济权，具有现实意义。

关键词：《玩偶之家》；《伤逝》；女性解放；经济权