死亡与救赎——论王尔德《道连格雷的画像》中的死亡美学
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Abstract
As the aestheticism movement pioneer in Britain, Oscar Wilde shows the aesthetic thoughts in the novel, poetry, etc. Through the research object of The Picture of Dorian Gray and method of aestheticism, the paper is devoted to the two parts of comparison Oscar Wilde with Dorian Gray in Ethic and Aesthetic thoughts. By Oscar Wilde’s “No artist has ethical sympathies” and Dorian Gray’s “The Pursuit of Eternal Beauty”, the paper concludes that Art transcends Ethic.
Keywords   Ethics   Aestheticism   Oscar Wilde

作为英国唯美主义运动的倡导者,奥斯卡•王尔德在其小说、诗歌等作品中都体现了唯美主义的审美观念。本文以唯美主义为研究方法,以奥斯卡•王尔德的作品《道连•格雷的画像》为研究对象,从作家与作品两部分深刻剖析奥斯卡•王尔德与主人公道连•格雷在伦理价值观以及美学思想上的共通之处,通过奥斯卡•王尔德“艺术与道德无关”和道连•格雷“追求艺术的永恒美”的伦理美学观,最终得出结论,艺术是超越道德的。
关键词  伦理价值观    唯美主义   奥斯卡•王尔德

Oscar Fingal O'Flahertie Wills Wilde (1854–1900) was an Irish writer and poet. He was one of London's most popular playwrights and the representative figure for the Aestheticism Movement in the early 1890s. His writing involves drama, poetry, novel, fairy tale, prose, essay, etc. Many masterpieces in almost every genre have left to the world. They are the classic aesthetic works, especially The Picture of Dorian Gray that is the only published novel, printed in July 1890, showing the persistence of eternal beauty and relations between art and ethic. Oscar Wilde was the head-turning character during the transitional period from traditional literature to modern literature. As the representative figure of aestheticism, his creations have appeared the modern consciousness and aesthetic sense.

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