摘要 

辜鸿铭是我国近代将儒家经典翻译成英文的学者。他在翻译《论语》时，对原作进行了不同程度的改写，使其《论语》英译本不但较好地保留了儒家思想的精神风貌，而且也为西方读者所广泛接受。本文选取辜鸿铭《论语》英译本作为研究对象，以勒弗菲尔“改写理论”为支撑，研究辜鸿铭译本中的文化改写现象。研究发现，辜鸿铭英译本中的文化改写主要体现在文化意向、典故的改写和文化负载词的改写两个方面。从文化意向、典故的改写层面来看，辜鸿铭主要运用增补法以及化抽象为具体的方法进行改写。从文化负载词的改写层面来看，辜鸿铭主要采取释义法、替代法、以及加注法进行改写。本文的研究发现为改写理论研究范畴的拓宽提供了案例，并为中国文化如何以合适的方法走出去提供了参考。

关键词：《论语》翻译，改写，文化    

Contents        

1. Introduction 1

1.1. Research Purpose and Significance 1

1.2. Literature Review 2

1.2.1. Research on The Analects 2

1.2.2. Research on Ku Hong-ming’s Translation of The Analects 3

1.2.3. Organization of the Thesis 3

2. The Brief Introduction to The Analects and Ku’s Translation 4

2.1. The Introduction to The Analects 4

2.2. The Introduction to Ku Hong-ming’s translation of The Analects 4

3. The Rewriting Theory and its Connection with this Study 5

3.1. Introduction to Rewriting Theory 5

3.2. The Connection between Rewriting Theory and this Study 6

4. Cultural Rewriting Phenomena in Ku’s Translation of The Analects 6

4.1. Rewriting of Allusions 7

4.1.1. Rewriting of “Junzibuqi (君子不器)” 7

4.1.2. Rewriting of “Fuguifuyun(富贵浮云)” 7

4.1.3. Rewriting of “Chengrenzhimei (成人之美)” 7

4.1.4. Rewriting of “Dadonggange(大动干戈)” 8

4.1.5. Rewriting of “Qiaoyanlingse(巧言令色)” 8

4.2. Rewriting of Culture-loaded Words 8

4.2.1. Rewriting of “Ren(仁)” 9

4.2.2. Rewriting of “Yi(义)” 10

4.2.3. Rewriting of “Li(礼)” 11

4.2.4. Rewriting of “Xin(信)” 12

4.2.5. Rewriting of “Junzi(君子)” 12

5. Conclusion 13

References 15