摘要：

戏剧兼具文学性和舞台性，而正是由于戏剧这样的二元性使得戏剧翻译成为一个特殊的领域。因为戏剧的主要功能是在舞台上演出，所以戏剧翻译具有相应的翻译原则与策略。本文旨在通过分析林语堂和杨宪益所译的《卖花女》，具体阐述舞台性因素是如何影响不同译者翻译同一剧本时对翻译原则、策略和方法所进行的选择，因而导致的译文在语言、风格等层面的差异,探讨其中所体现的以舞台性为归结的戏剧翻译原则及其对表演效果的影响。希望从舞台性的角度研究戏剧翻译能够在一定程度上为戏剧翻译实践提供理论依据和实际操作的指导原则。

关键词：戏剧翻译；舞台性；表演性；上口性；《卖花女》

Abstract:

Drama has both literariness and theatricality which makes drama translation a special field. As the main function of drama is to be performed on stage, it contains specific principles and strategies in translation. This paper analyzes two Chinese versions of Pygmalion translated by Lin Yutang and Yang Xianyi and sums up examples to summarize the translation principles and strategies used in these two versions. The paper elaborates how characteristic of stage influences different translators’ choices of translation principles and strategies. The paper also discusses the differences and performing effects that these choices cause in the language and style of translated texts. Hopefully, this paper will provide theoretical foundation and guiding principle of drama translation.

Key words: drama translation; stage performance; performability; speakability; Pygmalion