Abstract
"The Hours" is Michael Cunningham's intertextual novel on the basis of the real life of Virginia Woolf and her works "Mrs. Dalloway" . Later the novel has been made into a film. In this film, there are three women who are Virginia Woolf, Laura Brown and Clarissa Dalloway. Time shuttles through the three women's trivial life and in this way the film maker tries to discover the mysterious truth of living and dying. We study the prototype of female images in the film, because it reflects Virginia's understanding toward life. The prototype of the female images comes from Woolf's novel "Mrs.Dalloway" and her experience of lifetime. This paper has a different angle from intertextuality, which are the homosexual tendencies of the female characters under feminism and their different attitudes toward death. In this way, we can understand Virginia Woolf and women who have free thinking in different times.
Key words:"Mrs Dalloway", Virginia Woolf, feminism

摘        要
《时时刻刻》是迈克尔•坎宁安根据弗吉利亚•伍尔夫的真实生活和她的创作《达洛维夫人》而完成的一部与《达洛维夫人》具有互文性的小说，其后被改编为了电影。电影中描写了三个女性人物，她们分别是弗吉利亚•伍尔夫、劳拉• 布朗和克拉丽莎，时空在这三个女性人物之间交互穿梭。在看似无关的生活之间探讨一个发人深思的生死问题。之所以要对这部电影中的女性人物做原型的探究，是因为这部作品体现了弗吉利亚本人贯穿于其生命经历和作品中的对于生命的理解。坎宁安的女性人物创作原型主要来自于《达洛维夫人》中的人物和弗吉利亚本人。此文中从相较于互文性更宏观的角度进入电影人物和原型人物的内心世界。此篇论文通过探讨伍尔夫的女性主义下的同性恋倾向和生死问题，从而理解弗吉利亚.伍尔夫以及不同时代有自由思想的女性。
关键词：《达洛维夫人》, 弗吉利亚•伍尔夫,女性主义