摘要

文学和语用学似乎是两个迥然不同的学科。然而，由于文学能将语言的魅力发挥到最大，越来越多的学者意识到文学和语用学二者之间密不可分的关系。电影《飘》曾在1939年获得8项奥斯卡大奖，为此它也深深的影响了几代人。小说塑造了很多经典人物，最成功的是斯嘉丽。她是一个情感世界非常复杂的人物。首先,她是一个年轻美貌的少女，有着自己纯真的少女情怀；其次，她出身于一个种植园主家庭，在她身上显示了没落奴隶主阶级的某些本质特征：残酷、贪婪、自信；再次，她是在战争中成长起来的，因此她具有勇敢、坚强的品质。笔者认为这些主线相互交叉，有机地组成了斯嘉丽丰富多彩的情感世界。
本文将运用会话含义理论和礼貌理论分析在电影《飘》中郝思嘉的言行及其反映出的人物性格特点。本文将主要围绕郝思嘉的三方面性格特征展开分析：第一，天真、虚荣又不乏现实的性格；第二，勇敢独立的性格；第三，叛逆、反叛的性格特征。观众可以通过会话含义理论更直观的了解主人公的对白所表现出的性格特点，本文也将在最后总结会话含义理论为电影的人物塑造做出了突出贡献。

关键词：会话含义，《飘》，郝思嘉，性格特征 

Abstract

Literature and pragmatics are seemingly two different subjects. Yet, since literature demonstrates language in use at its best, more and more scholars have come to realize the close relationship between literature and pragmatics. Gone with the wind is the very famous movie which has won eight Academy Awards in 1939 and also influenced thousands of people. Especially, the dramatic person-Scarlett O'Hara impressed the audience a lot by her behavior and words which moved the audience. This article will analyze the relationship between her personalities and her language expressions and behaviors in the movie, based on the Conversational Implicature and Principle of Politeness of Pragmatics in Gone with the wind.
The paper will focus on Scarlett’s three main personalities, that is, the vain, innocent but realistic characters, the bravery and independence, the rebellious spirit. As the Conversational Implicature of Pragmatics will be employed as theoretic basis in the film of Gone with the wind, the outstanding personalities of the protagonists will be surely better appreciated by the audience. And this paper arrives at the conclusion that the Conversational Implicature of Pragmatics plays a very important role in analyzing character creation especially their personalities of the film.

Key words: Conversational Implicature, Gone with the wind, Scarlett O'Hara,   Personality

1.    Introduction
Many excellent films not only have modeled some distinct protagonists but also presented profound ideological content with oral conversations so that readers are fascinated and moved by these films. And these conversations help the directors to make their protagonists more lively and dazzling. As the conversations are the principal means of the film creation, analyzing the conversations of the film is available and valuable for the appreciation of the protagonists’ personalities of the films. Film—a kind of dynamic culture, has a high-significance in our daily life. In the modern time, most of people prefer to watch a film as their first choice in their spare time, 37.5% of them watch two or three films each month, and 53.2% of them have partiality for films imported from the west.